The intro music sits at the start of the episode, while the outro is placed about an hour in because that’s the average length of our show. The template I use for Adapt includes three tracks where audio can live: the top track is where I put my own audio, the middle track holds Federico’s, and the bottom track perpetually contains our intro and outro music. It seems confusing at the start, but once you’ve done the initial template setup it’s easy to get going with each new episode. 2 So I start with a new project created from a template, but to create a template in the first place you need an initial project, which requires some audio. 1 And in Ferrite, you can’t create a project without first having some audio to work with. Templates, however, can be only be formed when you first have a project. Every new episode of Adapt begins with creating a project from an existing template I’ve set up. For example, I’ve heard the app pairs nicely with the Apple Pencil, but I never use my Pencil in editing – I prefer keeping my hands on the keyboard as much as possible, so fumbling with the Pencil would just be cumbersome.įerrite’s Library view, including my Adapt template.Įxplaining the start of my editing workflow requires going backwards a bit. Ferrite offers a variety of tools and means of working with it, many of which I don’t use. Now, I want to share it with you.Įveryone has their own preferred methods of editing podcasts, so while I hope documenting my own workflow will be helpful, what I share shouldn’t be taken as prescriptive in any way. And before long, I found an editing setup that worked well for me. I learned a lot from Ferrite’s user guide in the early days, and the aforementioned Jason Snell articles on Six Colors. There are lots of settings, and unless you have previous experience working with audio, you likely have no idea what any of them do. Getting started with podcast editing, even with an app like Ferrite that’s built for it, can be extremely intimidating. On multiple occasions I’ve heard and read Jason Snell extol the virtues of Ferrite, so that was the app I turned to. Most podcasters I’m familiar with edit in Logic, but my Mac mini is purposely utilized as little as possible, so I knew when I dove into podcasting that I wanted an iPad-based solution if at all possible. When I was charged with editing this iPad-focused podcast, I naturally turned to an iPad-based editing tool: every episode of Adapt has been edited in Ferrite Recording Studio, and I’ve never even tried using another app. Learning the art of expressing my Apple takes in speech rather than text has been an adventure in itself, but I’ve also grown to cultivate a very different skill: audio editing. In addition to some personal endeavors that have yet to see the light of day, I joined Federico as the co-host of Adapt, a new iPad-focused podcast on Relay FM. This has been a year of new creative projects for me.
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